Medleyana: Year Four

I’ve been thinking about Dungeons & Dragons lately: specifically, the period in the mid-1980s when I was most obsessed with the game. (This is a periodic thing for me: I don’t play anymore, but once or twice a year I get the itch to relive past glories.) I’ve been reading some of the adventure modules and other materials from that era, and one thing I remember is how much time I spent as a kid just reading those same books, poring over the pictures and the endless statistics and rules (well, the rules I mostly skimmed) and regretting that I didn’t get enough serious playing in. I felt like I was missing out. I’ve since heard from many D&D fans who in fact never played the game at all, either because they didn’t have friends who were interested, or they weren’t allowed to play by strict parents, or they just didn’t have enough free time.

I am certainly familiar with the daily ritual of examining gaming materials that would never see a round of melee combat, but my situation was a bit different: in those days, the writers at Dragon and Polyhedron (and, I dunno, White Dwarf I guess) put an awful lot of emphasis on the importance of developing your campaign. “Campaign” was the word for the ongoing game over the long haul, and in particular the interconnected skein of events, personalities, and long-term goals that transformed a series of disconnected sessions and small-stakes adventures into a sweeping epic like The Lord of the Rings or The Chronicles of Amber. A properly developed campaign was, it was hoped, the stuff of legends, the kind of immersive collaborative storytelling that years later would make players wistful as they recalled together, “Do you remember that night in Shanar, the one with the Halfling assassin?” “Ah, yes, I remember it well.” Sighs of contented reminiscence all around. It’s no wonder that the word campaign itself was borrowed from military jargon by way of wargaming: were not a group of players bonded together over time and shared experience in a manner akin to veteran soldiers?

Equally important, at least in the pages of Dragon, was your campaign world. It was fine to play in the World of Greyhawk, the default setting of most of the early published adventure modules (replaced later on by The Forgotten Realms and a number of other prefab settings), but it was assumed that you would only be satisfied with that for so long, and that at best such supplements were to serve as a springboard for your own Great Work, the Magnum Opus of any Dungeon Master: your own individual campaign world, one that you created, and sown with seeds for adventure derived from the unique geography, history, and culture(s) that you came up with. It all sounded very compelling, and just as importantly designing your own world from scratch gave you something to do during that time when you weren’t playing but you were leafing through the rulebooks anyway.

In middle school, I had a lot to learn about worldbuilding, Dungeon Mastering, and storytelling, but that’s not the point of this. No, the main thing I remember about my campaign, set in the world of Ix-Nay, was how it got harder and harder to get all four (and later three) players, including myself, together, until finally we were playing maybe once a year. No wonder Ix-Nay never had the breath of life in it! In roleplaying games, a setting isn’t really a world until it has been set in motion and players have been given a chance to explore it. So I felt that I was missing a key experience in any serious gamer’s career (and as you can tell, I took this calling very seriously indeed).

But here’s the thing: even though my campaign with my custom-made world and handpicked players withered on the vine, in retrospect I played D&D quite a lot. There would be random pick-up games with kids who would come and go, most of these sessions one-shots with characters who were never seen again. There was even a Dungeons & Dragons club at my middle school, held in the art teacher’s room. Sometimes I was the DM and sometimes the player. Sometimes you would be playing with people you didn’t even particularly like. The game experiences I had ranged from total party kills at the hands of rigorous (to a fault) DMs who had strong ideas about the integrity of the game, to freeform fantasies that included guest stars like Bon Jovi. I have a lot of memories of playing D&D (or the mutated offshoots of it we came up with ourselves). Yet at the time, snob that I was, I didn’t think those games “counted” because they weren’t part of my campaign. They were, at best, pre-season or exhibition games (to use the parlance of sports with which I was hardly conversant at the time).

It wasn’t until much later that I renewed my acquaintance with the Devil’s game from the player’s side and experienced some truly excellent Dungeon Mastering. I learned that developing a campaign is a two-way street, built upon the contributions of both Dungeon Master and players, and most of it all it requires regular care and feeding with weekly or biweekly sessions (ultimately I just didn’t have time for that kind of commitment, but I kept it up for a few years). Perhaps that helped put my youthful gaming in perspective: I could stop beating myself up about my “failed” campaign and embrace the fun and growth I had experienced in the “unofficial” side quests. They really hadn’t been so different.

All of which brings me to the changes I’ve gone through in the last year and how that has been reflected in this blog. This weekend marked four years since I began Medleyana, and as I always do at this time of year it’s time to set down a few thoughts about what I’ve done with it and where it’s going. I’ll be the first to admit that writing hasn’t always been the first thing on my mind this year: my work as a musician and teacher has kept me busy, and even “free time” doesn’t always equate to writing time if I really just need to recharge my batteries. (I won’t deny that the dreadful state of our politics has gotten me down as well.) I’ve also noticed that the majority of my blog posts have become reviews: it’s much easier to get the words flowing in response to a movie or a book or comic, and it makes it easier to stop when you reach the end of that topic, as opposed to the open-ended ruminations that Medleyana started out as.

At the same time, however, when I look back at the past year, I’ve actually done a fair amount of writing. Although there were some gaps in posting, I’ve averaged about two entries a month, and I can be proud of what I’ve written (revisiting my first year, it strikes me that many posts were filler, born of self-imposed deadlines). Among other things, I also completed the draft of a novel earlier this summer, an undertaking of at least the last four years or so (another one of those “small” projects that grew bigger as I went); it’s still in need of complete rewriting before it will be fit for any kind of public consumption, but being able to write THE END on it, even in the state it’s in, has been a real relief, and is perhaps one reason I can look at what I’ve published this year and be okay with it.

Ultimately, just as I learned when playing D&D, there is little difference between what I see as my “real” work and what I produce in the mean time: it’s all part of the process, and it takes just as much focus to write a good blog post as it does to complete a novel, the only difference being the length and the relative challenge of sustaining that focus over the long haul: the difference between a one-off adventure and a campaign, if you will.

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Medleyana: Year Three

Well, another year of blogging has passed, and that means it’s time to write a “state of the blog” post again. I can tell this has been a busy year for me, at least based on the gap between posts earlier this spring. As I said then, I’ve given myself permission to not write unless I have something to say, but I still find the discipline and structure of blogging helpful for making myself finish things. Speaking of finishing, I’m finally nearing the end of a project that has taken a lot of my writing time and is probably the number one reason I haven’t posted as frequently in 2016 (more on that as it develops).

I suppose I don’t really have much to say in comparison to previous yearly summaries, but as always I want to say “thank you” to those of you who subscribed, commented, and shared links to Medleyana. I appreciate the feedback and fellowship. And in that spirit, I’d like to turn outward and recommend a few other online sources that I rely on and enjoy.

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First off, I still follow Philip J. Reed at Noiseless Chatter; like Medleyana, Noiseless Chatter covers a wide range of topics–whatever Philip and his guests feel like discussing–so it’s hard to point to a representative sample. Philip recently wrapped up a long, intensive dive into ALF, the television series about an alien puppet who lives with a suburban family and eats cats (seriously, I was never really a fan of the show, but Philip goes into much greater detail). Other articles have provided thoughtful looks at popular culture, the creative process, and heavy topics like mental health and suicide prevention (Philip’s response to the death of Robin Williams, and the dialogue that followed, is one of his finest moments, as far as I’m concerned). If you’ve followed Medleyana for long, you’ve probably seen me mention Noiseless Chatter before, but if you haven’t checked it out yet, what are you waiting for?

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I’ve also recently been taken with New Orleans-based Swampflix, a movie review and discussion site run by fellow Dissolver Brandon Ledet, among others. Swampflix casts a wide net in its reviews and articles, including up-to-date releases and older films going all the way back to the silent era, “from the heights of art cinema to the depths of basic cable schlock.” That’s a mandate I can get behind, and it’s just as much fun to read about films I’ve seen to get the writers’ insights and perspectives as it is to browse their reviews to get recommendations for new things to watch.

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Like many sites these days, Swampflix has also spun off into a podcast. I’m not a very regular listener to podcasts–I enjoy them, but it’s not quite a habit for me–but I’ve enjoyed the episodes I’ve listened to. Another podcast I’ve found entertaining and informative is We Love to Watch (formerly Listen To Our Podcast), by Aaron Armstrong and Peter Moran (in addition to their website, they’re on Stitcher and iTunes). They cover a variety of genre and exploitation movies, as well as a few higher-profile selections that dip into those areas (like Deliverance). They’ve also sometimes covered the same movies as Swampflix, giving an interesting range of opinions and perspectives (like when they both covered 1981’s Possession, a bizarre and unsettling film I also caught up with earlier this summer).

I would be remiss if I failed to include the blog of Rick Kelley, aka Luddite Robot, whose coverage of film is deep and always well-researched, and who doesn’t shy away from the political implications of works, even while acknowledging their power (he’s right on about the flimsy allegory of Metropolis, but it’s still one of my favorite films).

Finally, I also want to recommend fellow Dissolver Zack Clopton’s Film Thoughts. Zack is a true “monster kid,” a fan of all kinds of horror and genre fare, as well as a collector of monster toys and action figures. He both writes knowledgeably about a wide range of movies (his “Director Report Card” series is a highlight) and reflects on what those movies have meant to him in his life; Zack’s affection for the genre shines through in every post.

Thanks again for a great year!

The Graveyard of Unfinished Articles

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The truth is that while I will go to just about any lengths to stay on a schedule, even a self-imposed one, when I allow myself the freedom to only post when I feel like it, it becomes easy to put it off or just not bother, and that’s how I’ve ended up with such a paltry output on Medleyana this spring. This week, after finishing up my Tune in Next Week series covering the Buck Rogers serial over at The Solute, and feeling self-conscious about how long it had been since I posted here, I wrote up a thousand words or so about a topic that had been rattling around my brain for a while.

The article, once I finally got rolling on it, was a speculative endorsement of a live action feature film based on a popular children’s property. (No, I won’t say what it was; I may yet find something to do with what I wrote.) I thought I made a good case for a live action version of a property that has, as yet, only been seen in a direct-to-video animated format. However, the more I wrote, the more I felt that I couldn’t be the only one with that idea. Sure enough, upon searching for information online, I found that a live action film is already in development, although a release date isn’t set.

My feelings upon learning this are mixed. On the one hand, I feel vindicated: I’m clearly not the only person who sees the potential in the property, or at least my ability to recognize patterns in the media strategies of large brands is intact. On the other hand, there goes a morning’s work that I can’t use without serious reframing. (Note to self: do research before writing.)

While the amount of labor involved wasn’t huge, the incomplete article joins others stored in my hard drive or notebooks that will likely never see the light of day, made obsolescent for one reason or another. A partial review of Galavant‘s first season, begun under the assumption that it would be a self-contained story, seemed pointless to complete when it turned out that the story ended on a cliffhanger; the many loose threads would be tied up only in the second (and now final) season. Another article about the wave of detached, ironic “appreciation” of bad pop culture prominent in the 1990s (think Mystery Science Theater 3000) petered out after two paragraphs (its premises overlapped too much with a similar article I had written about listening to “bad” music). Another article on shape-changing “versatile” animals in fantasy fiction remains just a series of notes and references (I suppose that one may still get written some day). All of these drafts fell victim to a fatal lack of accessible information or the realization that I didn’t have that much to say about the subject, or simply fell out of date, overtaken by events before I could complete them.

The record for my fiction output is even worse, since I’ve tried to find outlets elsewhere for it rather than self-publish. I’m not talking about finished but rejected stories–those are annoying enough, but I can show them to anyone that wants to see them–but those “stubs” that started off strong but petered out or were interrupted and never returned to. (I’m hardly alone with the latter problem, exemplified by the “man from Porlock” who interrupted the composition of Coleridge’s Kubla Khan.)

George Bernard Shaw famously said, “When I was young, I observed that nine out of ten things I did were failures. So I did ten times more work.” This blog, as well as my work at The Solute and other venues, has been part of an ongoing effort in the last several years to finish more projects, even small ones. Certainly there is satisfaction in having a steady stream of small articles instead of being invisible for a year at a time between unveiling larger projects, but there is something to be said for single-minded application as well. Currently, I’m scattered between several projects, and while the time to work is more abundant than it has been for some time, it still takes discipline to manage so many competing interests. That’s a matter for discussion at another time, however.

In any case, whether I recast the article I wrote or simply leave it in the drawer, it surely won’t be the last thing I write that fizzles out or is allowed to die quietly; sometimes those premature deaths are mercy killings. At least a few of them have the potential to be repurposed, perhaps into an article about leaving projects unfin

Medleyana: Year Two

A year or two before I began Medleyana, I idly mentioned my interest in starting a blog to a friend. “No one reads blogs anymore,” he said. That gave me pause, but eventually, I went ahead and started anyway, and the result is this blog, now two years old, give or take a day.

Within the first six months of blogging, I realized that a lot of my articles started with a reminiscence such as the one above, with the rest of the article enumerating the reasons the other person was wrong. I quickly found that as tempting as that rhetorical device can be, I needed to use it sparingly, lest the entire blog become a giant exercise in “staircase wit,” a compendium of the things I should have said, if I’d only had the presence of mind. (Of course, if I argued as vociferously in person as most people do on the internet, I’d have no friends left, online or off-.)

So, as I celebrate Medleyana’s second birthday, I don’t bring up that friend’s offhand comment to prove that he was wrong. In fact, in many ways, he was right: the time in which a blog could amass a large readership just by being out there is long passed. This summer has proven to be something of a reckoning, not just for bloggers but for all kinds of “long form” writers on the internet.

In addition to the abrupt closure of The Dissolve, “free-form” radio station WFMU’s Beware of the Blog ceased posting; as of July, both exist online now only as archives of past content. I’ll admit I wasn’t a regular visitor to WFMU’s blog lately, so maybe I’m part of the problem, but when I first discovered it I spent quite a bit of time browsing its posts and downloading files from its collections.

Looking at it now, its mixture of original articles and reposts of unusual tapes and records, comics, and other found oddities are a good example of what the web used to be like as recently as ten years ago. Industrious writers with scanners and mp3-editing software could clean out their closets and share whatever weird stuff they found with the world instantly. It’s not just that the early internet was less commercial in nature (although that’s certainly part of it–Beware of the Blog was a volunteer-driven affair): it was countercultural, picking up the habits of reclamation and subversion that had driven the alternative press in the ’80s and ’90s. And it went both ways: like many of the blogs and websites that emerged around the turn of the century, it developed a culture of users (both writers and commenters) that gave it an identity. In the past, I’ve compared online forums to bars or coffee shops that are always open, and that was especially true of the websites that attracted regulars, “where everybody knows your name.”

The passing of this ethos is part of what Vox editor Todd VanDer Werff laments when he calls 2015 “the year the old internet finally died:” now there’s so much emphasis on social media and going viral, it’s harder to create a website with an identity that is a destination, rather than a source of memes and videos to share. The content is often no less quirky than before, but the context is quite different: instead of being part of an ongoing discussion with a community of writers and commenters (something The Dissolve excelled at), each picture or link is encountered as part of the reader’s Facebook or Twitter feed; to the extent that it has any attribution, it’s more like a brand than a source to return to (one reason a lot of these meme-mills are radio stations). According to VanDer Werff, writers of longer articles (what used to be the expectation for writers and journalists) are in trouble unless they can also provide the quick hits that generate clicks.

Of course, Medleyana isn’t really playing on the same turf as The Dissolve (or the A.V. Club, or Grantland): it’s just me, not a staff of writers, and it’s a labor of love, not a job. But the landscape has changed for bloggers, as well: the same month that The Dissolve and Beware of the Blog shuttered, Iranian-Canadian blogger Hossein Derakhshan wrote about the world he remembered before he was sentenced to six years in an Iranian prison for his writing:

Blogs were gold and bloggers were rock stars back in 2008 when I was arrested. At that point, and despite the fact the state was blocking access to my blog from inside Iran, I had an audience of around 20,000 people every day. Everybody I linked to would face a sudden and serious jump in traffic: I could empower or embarrass anyone I wanted. People used to carefully read my posts and leave lots of relevant comments, and even many of those who strongly disagreed with me still came to read. Other blogs linked to mine to discuss what I was saying. I felt like a king.

Again, I’m not sure I have much in common with Derakhshan; it’s hard to read his comments and not feel that he mourns the influence he once wielded as much as the changing structure of the internet. And while he isn’t wrong about the changes in the way we exchange ideas online, there are simply more people writing then there were before, making it harder for individual voices to stand out. The friend I mentioned at the beginning of this post didn’t say anything about people not writing blogs anymore, after all.

More seriously, Derakhshan goes on to point out how commercialized and homogenized the dialogue is when it’s in the hands of corporate social networks like Facebook: “The Stream now dominates the way people receive information on the web. Fewer users are directly checking dedicated webpages, instead getting fed by a never-ending flow of information that’s picked for them by complex–and secretive–algorithms.” Those algorithms tend to emphasize what users have already shown that they like with their clicks and upvotes, contributing to the echo-chamber quality of such networks. That’s a fair concern, and one shared by many observers: that the internet will become more like television, with a fragmented but largely passive audience, faced with an infinitude of choices, but less likely to be challenged by different perspectives.

Ultimately, while my readership is not large, at least not in comparison to the heyday of the form, it has been growing: this summer’s Fates Worse Than Death has been a success, at least measured in comments and discussion (some of which have taken place, yes, on Facebook and Twitter). This year I stretched myself more to post on a weekly basis, and I experienced and learned about some fascinating films that I might not have been motivated to explore otherwise. And just personally, I’m pleased that I was able to stay on my self-imposed schedule with some late nights (and a few very late nights!). I’d probably try to keep this series going all year round but for two factors: first, it’s too time-consuming, and I would burn out if I tried to keep it up for much longer; second, I have other things I’d like to pursue as well. To those of you who may have found your way here for coverage of serials, I hope you’ll check out some of the other topics. And rest assured that I’ll still be covering them in one way or the other.

Finally, thanks for visiting, and for reading. If you’ve taken the time to comment, or contacted me personally, or if you’ve shared one of my articles, know that I appreciate the feedback. If there’s anything I can to do to improve your experience in the coming year, or you have a suggestion for a topic you’d like to see covered, or you just want to say hi, please don’t hesitate to comment, send me an e-mail through the contact page, or find me on Twitter!

P. S. And keep writing!

It saddens me to say that The Dissolve, my favorite site on the Internet for the last two years, is closing up shop. The whole thing happened rather suddenly, but has been confirmed by an announcement from Editor Keith Phipps. I’m saddened to lose the insights of Phipps and the other writers for the site, but I’ll also miss the lively discourse among the commenters and the general culture of sincerity and encouragement. Despite The Dissolve’s official focus on movies, subjects under discussion often ranged widely both in the regular articles and in the comment sections. There are at least four articles on this blog that got their start as comment-section projects (my Lovefests on Addicted to Love and Cowboys & Aliens, my Scarefest on The Visitor, and my tribute to former Dissolve writer Nathan Rabin, Guardian of the Gods). That’s not even mentioning The Solute, the site launched as both a tribute to and an extension of its parent site. I’ll continue to post over there, and if the current influx of commenters over there is anything to go by, it may well end up being a continuation of the lively forum we had at the Dissolve; I invite you to read wallflower’s memorial, which eloquently sums up the feelings of so many of us.

R.I.P. The Dissolve, and good luck to its staff as they move forward.

Medleyana: Year One

Apparently, this is who I am.

Apparently, this is who I am.


Wow, it’s been a whole year already! Medleyana became a part of my life so quickly that it’s hard to remember a time when I wasn’t trying to shape my thoughts into blog posts on a regular basis. In a lot of ways, this has been good for me to undertake, even though it’s been a lot of work. I probably should have started blogging a long time ago: there’s a big difference between having a thought and putting it in a form for others to read. There is often research involved, and it’s surprising how many leaps in logic one can make that only come to light when trying to write an idea down or explain it to somebody else. As someone who often reaches conclusions by intuition or lateral thinking, blogging has kept me honest and forced me to support my opinions in a more rigorous way.


The reality of blogging has also been different from my expectations. I at first conceived of Medleyana as mostly an essay series, one entry building on another until I had gotten all of my thoughts out, presenting an overarching argument made from many angles. I quickly realized that most people, including myself, don’t read blogs in that way: the format lends itself to browsing, with the expectation that not all readers will be interested in every subject a writer chooses to explore (especially true for a blog like mine, tackling a variety of subjects), and each entry needs to be able to stand on its own rather than building directly on its predecessor (not that I haven’t had some threads running through). In some cases I’ve responded to current events or arguments, but mostly I don’t consider Medleyana to be a “headline news” kind of blog; perhaps that is something to consider expanding into in its second year.

Overall, although some entries didn’t quite get where I wanted them to go, I’m pleased with the progress I’ve made as a writer, and I’ve proven to myself that I can stay on a schedule (most of the time). I’ve also found it necessary to branch out in search of new subjects to write about, after exhausting most of the things that had been building up inside, the ideas that drove me to start blogging in the first place.

Fates Worse Than Death, for example, my exploration of movie serials, was a product of happy circumstance: I had a few serials on DVD but was having a hard time committing to watch them. So, like so many bloggers before me, I began a series, thinking that the summer would provide the free time to watch them with the side effect of providing a little content for the blog. How wrong I was! It turns out that watching and writing about a four-hour long movie, even on a biweekly basis, is rather time-consuming! As I often tell my wife, I don’t really take on big projects anymore: I just take on projects that I think will be small, and wait for them to expand! It has been an enjoyable process, however, and I’ve even made some friends in researching and discussing this material (and I still have plenty to look at for next summer!).

The most surprising development of the last year is how quickly I have been able to find other outlets for my writing, including The Solute (for which I will have some pieces upcoming, I promise!) and The Wichita Eagle. I’m also still awaiting publication of The Lost Worlds of Power (now expected at the end of October) and I’ve got a few other projects in the works. Some of them are larger in scale (so maybe I exaggerated when I said I never take on big projects) and might demand more of my time. My goal is to keep posting at least once a week here, but after proving I could do it for one year I’m going to be more forgiving of myself if I don’t, and I’ve got an ample backlog of material for anyone who gets impatient for more reading.

Finally, if there is one thing I appreciate from readers, it’s feedback. I have a general idea of readership through the number of “hits” this site gets each day; I can see what search terms are leading readers here (and frankly, some of you should be ashamed of yourselves). I’m aware of which posts are the most popular (for the record, it’s “Instruments of Death” by a long shot), but unless I hear from you, I don’t really know what you think. If you’re reading this, why not consider commenting and letting me know you’re there? If the commenting system is too restrictive or you just prefer to remain private, drop me a line through my Contact page. Criticism is as welcome as praise, as long as it will help me make this a blog that you will want to keep reading.

To all of you, thanks for a great first year.

Am I the only one who goes back to read my old comments on online forums?

I’ve been active to varying degrees on a few different websites over the years (no, I’m not saying which ones—those things are pseudonymous for a reason!), and most commenting systems have the option to look at all of the comments made by an account at once.  A few years ago, I mentioned to a colleague that while commenting online includes being part of a conversation, it is also something like a mirror.  It was difficult to explain what I meant by that, but I think I had the review function in mind: going back (sometimes years, in the case of a few websites I’ve spent way too much time on), I can see a clear picture of who I was, what I was doing, and what my thoughts were.

As I mentioned before, I was once a regular journal-keeper and diarist, recording my thoughts for posterity.  Part of the appeal of journaling is the idea that someone in the future might want to read your writing, perhaps because your thought process and opinions would be worth knowing, or at least because your observations are clear enough to give an accurate picture of the world you live in, for history’s sake.  In that sense it’s just a few drafts away from being a memoir, composed one day at a time.  There’s also the more immediate pleasure of revisiting your own thoughts: very often I’ll encounter a detail in my writing that I had completely forgotten, and the written word will cause a flood of memories.

Reading my comments online can be like that, but very often it’s less like a diary and more like the conversation books left by Beethoven’s visitors late in his life: because of the composer’s deafness, visitors had to write their side of the conversation for him to read, leaving a record of only half the discussion.  It’s one thing to reread a comment that contains a fully-formed opinion and think, “Ah! Yes, that sums it up!” or “I remember that!”  It’s quite another to look at a comment reading “I agree!” (or, God forbid, “LOL”) and not remember what it was in response to, or read a comment that was obviously a real zinger in context, knowing it was part of a very funny comment thread, but falls flat or simply makes no sense in isolation.  Online interactions may be saved on servers forever, but not all exchanges were meant to be timeless: sometimes you just had to be there.

Taking part in online conversations has also helped me to sharpen and clarify my opinions: one can hardly write anything on the internet without facing disagreement, so writing (and defending) opinions, and accepting that others will see things differently, is an excellent spine-strengthening exercise.  I’ve seen more than one forum poster claim that taking part in the forum helped them to become a better writer, and to the extent that participating helped them solidify their point of view and express it clearly, I believe it.

Of course, all of this assumes a certain level of civility, not always easy to come by online.  I’m not sure the internet has truly lowered the level of discourse, as is sometimes claimed, or if it just allows us to see more of it than we would normally encounter without the flood of information coming to us through Facebook, Twitter, et al.  (And of course, even traditional media outlets now expect that their audience will want to talk back, a development that is mostly positive but which is also an open invitation to kooks everywhere.)  I avoid the comments sections of news sites like I would avoid bad neighborhoods; I resist the quixotic urge to correct every misinformed thinker I encounter online.  In retrospect, there are a few occasions I wish I had spoken up, but mostly I just get worked up and agitated arguing with people I don’t even know, and the well of ignorance sometimes seems bottomless: arguing with people could be a full-time job, and for some people it apparently is. I’ve come to believe that strong moderators are essential for preserving lively discussion without descending into flaming and abuse, especially in the early going; after a forum has been around a while, with a number of regular posters, a tone is established, in general set by the content of the site and the guidelines set by the moderators.  To state the obvious, speech online isn’t that different from everyday speech: you aren’t free to shout “Fire!” in a crowded theater.  The website isn’t “censoring” anyone: as a private enterprise, it is free to set its own standards of conduct.

I’m not as active in forums as I once was, and for some of the same reasons I don’t journal: I don’t have the time, and If I’m going to spend time writing I’d rather put the energy into something more permanent.  Being able to comment online is like having a bar or coffee shop in your home, open twenty-four hours a day, where you can always get into a conversation (or pick a fight).  That’s a strong temptation, and for most websites it comes hand in hand with a continuous flow of new content to spark discussion.  In that sense it’s not that different from the way I used to watch television, but it can feed into the feeling that I need to be entertained every moment, that I can never be alone with my thoughts.  I know I’m not the only one who feels that way (witness the productivity programs whose selling point is the ability to lock you out of your email and social media so you can get some work done); it’s a battle I keep waging, even if I know I’ll be more successful some days than others.