It’s always nice when circumstances converge to provide an opportunity for me to write about things I wanted to write about anyway. Sky Captain and the World of Tomorrow opened ten years ago today, so I wrote a remembrance of it for The Solute. As with Shanghai Surprise, I was interested in revisiting it in light of my recent exploration of serials from the 1930s and ’40s, one of the major sources of Sky Captain‘s plot and visual style. My article for The Solute focuses on the film’s then-groundbreaking combination of live action and CGI backgrounds, but regular readers will recognize many of my usual preoccupations with pastiche and stock character types.