I am pleased to announce that The Lost Worlds of Power is now available for download! Made up of twelve novelizations of classic NES games, including my own take on “Legendary Wings,” The Lost Worlds of Power is the brainchild of Noiseless Chatter’s Philip J. Reed. I’ve only just started digging into it, but the book promises a range of styles and approaches to games both classic (“Battletoads,” “Marble Madness”) and obscure (“Linus Spacehead’s Cosmic Crusade”?). Download it for free here (and for a limited time, you can also download last summer’s Volume 0)!
I’m very pleased to announce that my adaptation of the classic video game Legendary Wings has been selected for inclusion in the upcoming anthology The Lost Worlds of Power, edited by Philip J. Reed of Noiseless Chatter. My story will be one of twelve novelizations of games for the Nintendo Entertainment System™ written in, er, homage to the original Worlds of Power series, which often had little to do with the games that were being adapted. The anthology will be available as a free eBook when it’s done: I believe I’ll be able to host it here, but I will definitely include links if not. More information, including a release date, will be forthcoming as it develops. I’m very excited to be included, and I can’t wait to read the rest of the stories in the volume. The complete announcement can be found here.
In honor of the World Series—go Cards!—I thought I’d take a look at a few ways the game of baseball has been translated into America’s other national pastime: video games! There have been so many different adaptations of baseball that I’m limiting myself to a very unscientific survey of a few baseball video games I happened to already have in my collection (what, you expect research?). If you want more, check out the link at the end of the article.
Intellivision Lives! gave me two opportunities to play that console’s baseball games, but they turned out to be very similar: World Championship Baseball was an upgrade of Intellivision’s original Baseball of 1978, reprogrammed to take advantage of the increased memory on the system’s later cartridges. The original version only supported two-player games, so I played a few innings with both controllers in hand, pitching, hitting, fielding, and running the bases like a chess player taking both sides of the board. The later version allowed one-player games, with the computer taking a side; it even allowed zero-player games, so I could watch the computer take on itself, endlessly running its routines, just like in WarGames.
The superiority of Intellivision’s version to Atari’s was a cornerstone of Intellivision’s ad campaign, and it does look good: the entire field can be seen, and the players are recognizably humanoid, with little running legs (and a catcher’s squat when at rest). If anything, the player is given too much control, down to the catcher’s responsibility to return the ball to the pitcher after a play, and with the entire field on screen, the player controlling the pitching team has to be able to switch control quickly from one fielder to another, while the runner has the advantage of a much narrower range of options. Unsurprisingly, the batting side ran up the score quickly, but at least I could take credit for both sides’ performance. (Playing with the Intellivision’s controllers surely would have helped: this was one of several games that came with inserts that could be placed over the number pad, so instead of remembering which number to press for a given play, you could press “Bunt” or “Second Base” or whatever was needed.)
Several different baseball games were available for the Atari 2600, from the very primitive (the inspiration for the parody box cover Every Sport Ever in Pong Form) to games that squeezed every last drop of power out of the console. An example of the latter is Pete Rose Baseball (1988, very late in the Atari’s lifespan; okay, a little research went into this) for the Atari by Activision, a company formed by Atari programmers who went off on their own when they became disillusioned with the inequality between Atari’s profits and their own small paychecks and low status within the company. As soon as they established there was no legal or technical barrier to releasing their own third-party software they were off (incidentally opening the door to dozens of other companies flooding the market with games). (I played the Gameboy Advance port, retitled simply Baseball for obvious reasons, found on the Activision Anthology.)
A challenge for any version of baseball is the independence of the players on the field. There are routines, and patterns, but not formations: each player has a role and must be able to execute it, and in addition to the challenge of computer A. I. there is the question of giving control of these independent actors to the player. Activision’s Baseball (programmed by Alex DeMeo: crediting programmers with a byline was both part of the company’s marketing and a contrast to the anonymity of Atari’s practice) gets around this problem by not showing the entire field at once. Six different “TV-like” views of parts of the field are shown, allowing close-up control of the pitcher and batter and limiting the fielders onscreen to only four at a time. When fielding, the player can choose which team member to control by aiming the joystick and pressing the fire button: it takes a little getting used to but becomes automatic quickly, and strikes me as a reasonably elegant solution given the limited control scheme of the Atari. The pitcher and batter have quite a few options, and the player has enough control that skill really matters: the first inning I pitched, the computer scored thirteen runs off me—suddenly I was the Dodgers, and the computer was the Cardinals. (I should also note the sound effects: the game begins with the last few notes of the national anthem, and a square-wave “organ” periodically plays between at-bats; after a play, the “crowd” roars, actually modulated white noise similar to the countdown to Armageddon heard at the end of every Missile Command game.) Over all, it’s not a bad effort for a console with well-known programming constraints.
Neither the Intellivision nor Atari games offer any variety in the lineup, just interchangeable hitters and fielders. Jumping ahead a few console generations (I told you this wouldn’t be comprehensive!), the increased power gave players the chance to manage by assembling a dream team and maximizing the effectiveness of the batting order. I wouldn’t call it realistic, but Mario Superstar Baseball for the Gamecube has both character and strategy in spades. Like all the Mario sports spin-offs, it’s a somewhat simplified version of the real sport with Nintendo’s extensive cast of characters as the players, and with the addition of power-ups and hazards from the Mario platformers. For example, when Mario is pitching, he has the option to throw a fireball; Chain Chomps and Piranha Plants catch unwary outfielders, and so on. In Exhibition Game mode you’re free to choose your roster from all the available characters, each of whom have their own strengths and weaknesses (as designated everyman, Mario is the best all-around player; “name” characters have their own personality and specialties, with goombas, shy guys and other background characters filling out the rosters.) In Challenge Mode, you start as one of five team captains (Mario, Peach, Donkey Kong, Yoshi, and Wario) and play the other captains’ teams in succession: beating them gives you the option to recruit players from their line up, something that is essential to beat Bowser in the championship game. There are six different ball parks, reflecting the personalities of the team captains; only Mario’s could be considered “standard:” Princess Peach’s park includes floating question mark boxes which, if hit by the ball, reveal bonus stars (which in turn can be used for power-ups); Bowser’s park is set inside an active volcano, so outfielders can be thrown off by periodic earthquakes or follow a ball into open lava pits.
Unlike the other baseball games covered here, the outfield has an advantage, although the computer A. I. still sometimes makes baffling misdirections. Just as in the real game, pitching makes a big difference in MSB, so I like to use Peach and Waluigi, the two best pitchers; they’ll even get tired if you keep them in too long, so you have the option to swap positions mid-game. As you can tell, this is one I come back to frequently; it has a great soundtrack and they get the characters right, and the game is just streamlined enough, but the bottom line, I guess, is that I like my sports simulations to have a touch of fantasy. Mario Superstar Baseball was followed by Mario Super Sluggers for Wii, and a sequel for the Wii U has been announced.
And if that’s not enough, here’s three and a half minutes of virtual baseball over the years:
Maybe I’ll get to some of them in a follow-up column; in the mean time, share your favorite video baseball in the comments!